The Film Sound Power List

12 interesting film sound tutorial videos:
 

Michael Cullen shares his insights on film sound creation in these 12 tutorial videos:
 
 
 
 

Award-winning sound designer David Farmer shares tips, tricks & techniques from working 25+ years in sound:

David Farmer gets you tips, tricks and techniques learned from decades in audio post production:
 
 

Brandon Proctor talks techniques and tools for re-recording mixing today:

Supervising sound editor and re-recording mixer Brandon Proctor shares stories & insights from his 20+ years in the business:
 
 
 

Doing sound for independent film – tips, tricks & insights from Tom Disher and Paul Zahnley:

Composer and sound designer Tom Disher and re-recording mixer Paul Zahnley share their tips, tricks & insights from many years of doing sound for independent films:

Heikki Kossi on the art and craft of Foley sound

Experienced Foley artist Heikki Kossi shares insights and stories from doing Foley sound on 100s of films:
 
 

Herb Ferrette shares thoughts and strategies for running a boutique-sized sound facility

Herb Ferrette shares insights from over 35 years in the media industry:
 
 

How to create Pro Tools templates for post production – with Paul Maunder:

Check out this great tutorial on setting up Pro Tools templates for post production:
 
 

Lessons learned from 20+ years in sound: Jeremy Peirson on field recording

Jeremy Peirson shares stories, approaches, and lessons learned from a life in sound – with a particular focus on field recording:

Composing for film – with Pinar Toprak, Nainita Desai, and Jonathan Snipes

Award-winning composers Pinar Toprak, Nainita Desai, and Jonathan Snipes share insights on how to succeed as a film composer:
 

How to succeed in sound design for Film, Documentaries, and Trailers – with Nia Hansen, Peter Albrechtsen, & Karél Psota

Great insights on how to make it in sound for film & trailers, with insights from Nia Hansen, Peter Albrechtsen, & Karél Psota:

How to succeed in Sound Editing, Sound for Advertising, and Production Sound – with Lucy J Mitchell, Chris Pinkston and Irin Strauss:

Hear how to succeed in sound, from some of the brightest minds – and sharpest ears – in the industry:

How To Actually Live as an Audio Freelancer – by Melissa Pons:

Melissa Pons shares insights and thoughts – from herself and others in the community – on living as a freelancer in the sound industry:
 

Mandell Winter gives us a peek into the world of Sound Supervision

Mandell Winter is a two-time Emmy nominated Supervising Sound Editor who has worked on many films and television series. And in this interview with Doug Siebum, he sheds some light on what the Supervising Sound Editor role involves:

Randy Thom: Designing A Movie For Sound

Here’s Academy award-winning sound designer Randy Thom’s insightful plea for sound to be taken as seriously as visuals in film storytelling:
 
 
 
 

Randy Thom: Why Is Sound Important?

Randy Thom shares his thoughts on why sound matters:
 
 
 
 
 
 
 

SIGHT & SOUND: The Cinema of Walter Murch – watch this fascinating feature-length documentary here:

Jon Lefkovitz has released an interesting, feature-length documentary with legendary film editor and sound designer Walter Murch. You can watch the full documentary here:
 

Sound Designer Tormod Ringnes’ 4-Step Approach to Great Film Sound

Here’s why (and how) Tormod Ringnes applies his 4-step approach to all sound design projects, no matter the size of the production:
 

Sound for indie film:

Supervising Sound Editor Jacob Bloomfield-Misrach shares insights, tips and lessons learned from overseeing 100+ sound projects per year:
 
 
 

Sound Opinion: Should people in the sound industry work for free?

Doug Siebum shares his story and experiences doing free work in sound – and whether you should do that in the first place:
 
 

The Psychology of Sound Design – with Ai-Ling Lee, Will Files & Craig Henighan:

Check out this great panel talk from The Rough Cut, hosted by Matt Feury and featuring Ai-Ling Lee, Will Files & Craig Henighan talking about the fundamentals of film sound:

The Ultimate Beginner’s Guide to Foley Editing

Want to get Foley editing right? Sound supervisor Yuri Pridachin from Foley First shares his essential tips, insights and lessons learned in this in-depth guide:

Tim Nielsen offers insight into the role of Supervising Sound Editor

Film sound veteran Tim Nielsen shares insight on supervising a film:
 
 

Tips and thoughts on running your own audio post production house – with William McGuigan:

William McGuigan shares insights on starting and running his own boutique audio post house:
 

Video: How animal sounds are made for movies and TV – with veteran Foley artist Marko Costanzo:

Find out how animal Foley is done – with veteran Foley artist Marko Costanzo:
 

Video: How movie sound effects are made – with Foley artist Marko Costanzo:

A great Mashable video featuring Foley artist Marko Costanzo, on the art and craft of Foley
 
 

Video: Meet the Foley team at Skywalker Sound:

Check out this excellent video from American Lifestyle on the Foley team at Skywalker Sound, featuring Foley artists John Roesch and Shelley Roden, and mixer Scott Curtis:

Video: The importance of audio post in indie film

Sound designer Ugo Derouard demonstrates five steps of audio post production – and how they affect a given scene:
 
 

Videos: Sound Mixing and Sound Editing explained – by the legendary Walter Murch:

Walter Murch explains sound mixing and sound editing – with examples from his own work:
 
 

Behind Baby Driver’s masterfully musical sound design:

Here’s how the team did it, as told by supervising sound editor/sound designer/re-recording mixer Julian Slater, and sound effects recordist Watson Wu:
 

Behind the crystalline sound of Frozen 2:

Supervising sound editor Odin Benitez, music editor Fernand Bos, and dialogue/music mixer David E. Fluhr discuss their approach to weaving sound design, songs, and score into a fluid, immersive soundscape:
 

Behind the horrifying sound of ‘Alien: Covenant’

Here, they discuss their approach to sound design on Alien: Covenant, from building on original Alien sound concepts to creating new sounds for the Neomorph, the Covenant ship, the radio transmissions from the Prometheus, and more.

Behind the spectacular sound of ‘Dunkirk’ – with Richard King:

Get the full story on how the film’s rich, dense, and immersive soundscape was created, in this A Sound Effect interview with Oscar-winning supervising sound editor Richard King:
 

Building the brilliant sound for The LEGO Batman Movie

Wayne Pashley takes you behind the scenes on the sound and shares details about how he and his team brought the animated Batman toys to life through sound:
 

Creating 1917’s Intense, Immersive Sound of War:

We talk with sound supervisor Oliver Tarney about how the visuals impacted his approach to the sound and how he created the film’s immersive, authentic WWI sound.
 

Creating The Poetic Sci-Fi Sound Of ‘Arrival’:

Critics describe Arrival as ‘a must-see experience for fans of thinking person’s sci-fi’ – and in this interview with the Arrival sound team, you’ll discover why the sound for the film is definitely something else too:

Designing Aquaman’s dramatic deep-sea sound:

In this in-depth A Sound Effect interview, supervising sound editors Peter Brown and Joe Dzuban take you behind the scenes on their sound work for the film
 

Designing the dark and gritty sound of Joker:

Warner Bros. Sound’s Oscar-winning Supervising Sound Editor Alan Robert Murray shares details on how he and the sound team brought Gotham City to life with custom recordings and era-appropriate effects, and how they subtly blended the sound and score to create a visceral, cruel, and crazy world.

Designing the deeply disturbing sound of ‘Midsommar’:

Supervising sound editor/re-recording mixer Gene Park tells the story on how sound was used to help achieve such a high level of emotional discomfort and disorientation:
 
 
 

Finding the Sound of Soul

Supervising sound editors Coya Elliott and Ren Klyce talk about designing sounds to fit the score, creating the voices of the ‘lost souls,’ recording voices for the unborn souls, and much more!
 
 
 
 
 

Horror Special: Behind the sound for 11 of the scariest horror movies out there:

It’s time for a horror special, and to get you in that spooky mood, here are 11 A Sound Effect stories behind the sound for some of the scariest horror movies and series out there:
 
 
 

The gloriously punchy sound of ‘John Wick: Chapter 3 – Parabellum’:

How the fast, precise, and brutal sound for John Wick: Chapter 3 – Parabellum was made, as told by Supervising Sound Editor Mark Stoeckinger:
 
 

How ‘First Man’ takes your ears on a supersonic adventure:

In this very in-depth A Sound Effect interview, supervising sound editors Ai-Ling Lee and Milly Iatrou talk about how they used authentic NASA gear to make those flight experiences sound as real as possible
 

How A Quiet Place’s essential sound was created:

Sound and silence are key elements in A Quiet Place, and for sound designers Ethan Van der Ryn and Erik Aadahl it was an incredibly thrilling – and challenging – project to work on. Here’s how they created the crucial sound of A Quiet Place:

How Ad Astra’s stellar Foley sound was made – with Foley Artist Heikki Kossi

Foley supervisor/artist Heikki Kossi talks about how Foley played a key role in keeping the audience close to McBride, helping to relay his physical and mental experience.
 

How Nomadland’s beautiful sound was sculpted

Sound supervisor/sound designer Sergio Diaz and sound supervisor/re-recording mixer Zach Seivers talk about their cinema vérité approach to the sound.
 
 
 

How Randy Thom & Al Nelson crafted ‘How to Train Your Dragon: The Hidden World’s sound:

Randy Thom & Al Nelson dive into the creative details of creating sounds for new dragons, such as the Light Fury and the Death Grippers, and how they created new, more emotive sounds for Toothless.

How the incredible sound of ‘Avengers: Endgame’ was made:

Supervising sound editor Shannon Mills has worked on a number of Marvel movies, and in this exclusive A Sound Effect interview, he gives you the in-depth story about that Avengers: Endgame sound
 

How the outstanding sound of ‘Once Upon a Time… in Hollywood’ was made:

In this exclusive interview, Wylie Stateman talks about collaborating with Tarantino, his creative process of ‘rapid prototyping’, the interplay of music and sound design, and a lot more.
 

Katy Wood, Paula Fairfield & Onnalee Blank, on Crafting the Fun, Colorful Sound on ‘Harley Quinn: Birds of Prey’

Go behind the sound of Harley Quinn’s colorful, manic, psychotic world in ‘Harley Quinn: Birds of Prey’:

Nia Hansen & Shannon Mills: How Raya and the Last Dragon’s superb sound was made:

Shannon Mills & Nia Hansen take you behind the sound for Disney’s mesmerizing animated adventure:

Sounds of the future for ‘Ghost in the Shell’:

Oscar-winning supervising sound editors Karen Baker Landers & Per Hallberg share the intriguing story behind the sound for Ghost In The Shell:
 

Tiny Superheroes, Big Sound – creating the sound for Ant Man:

Supervising sound editors Addison Teague and Katy Wood, and sound designer David Farmer take you behind the sound for Ant-Man and the Wasp:

How Tim Nielsen & Team Made ‘Moana / Vaiana’ Sound So Good:

Disney’s Moana (also known as ‘Vaiana’ in Europe) is a huge hit at the box office, and in this in-depth A Sound Effect interview, award-winning supervising sound editor Tim Nielsen shares the story on how the computer-generated world of Moana was brought to life with sound.

Perfecting Parasite’s award-winning sound – with Ralph Tae-Young Choi:

Director Bong Joon Ho’s go-to for sound supervision and mixing, Ralph Tae-Young Choi, talks about his approach to designing the contrasting worlds of the wealthy Park family and the working-class Kim family who latches onto them.
 

Richard King on Inventing Inverted Sounds for ‘Tenet’:

Oscar-winning Supervising Sound Editor Richard King — at Warner Bros. Sound — talks about his approach to designing inverted sounds for director Christopher Nolan’s film Tenet.
 
 
 
 

Zack Snyder on Music & Sound Design For Film

Netflix just released this interesting video on Army of the Dead, with Zack Snyder sharing his thoughts and insights on music and sound design for film. We’ve added shortcuts below so you can jump straight to the music and sound design segments of the video: