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Home Instruments
Various musical instruments
Download and upnack this gigantic, top-of-the-industry sound effects and voice over library, and discover CLASSIC WOODEN ROULETTE WHEEL, crisp and clean spinning and ball bouncing sounds that players love hearing when sitting at caino table, MODERN DIGITAL ROULETTE WHEEL for developers who want to offer a unique online roulette experience, and FUTURISTIC SCI-FI ROULETTE WHEEL for those who want to go fully themed, warm and welcoming DEALER VOICE OVERS, and a lot more – all at your fingertips!
With NO other product like it on the market, this premium sound library is PACKED with immersive sounds for roulette games found in traditional brick & mortar and online casinos. Immerse your players in ultra realistic environments for an experience they’ll want to revisit over and over again!
DOWNLOAD NOW this MUST HAVE product to add to the arsenal of your casino games’ audio!
STAGGERING VARIETY of SOUND EFFECTS!
Included is a massive amount of audio with number of versions, variations, and recording takes! Offering large selections of sounds for 3 different ROULETTE WHEELS, BALLS, CHIPS/TABLE sounds, and USER INTERFACE sound effects. For your convienience, wheel sounds are also included as Full Wheel Spin Sequences and multiple Ball Bouncing Bequences, as well as Spin Start + Spin Loop + Spin End and Ball Bounce One Shots – as presented in the audio preview.
Each asset is carefully edited, mixed, and mastered to beautifully fit any casino project.
EXTRA ROULETTE DEALER VOICES!
HUNDREDS of voice overs for both MALE and FEMALE dealers are included. Vocal phrases covering SINGLE NUMBERS (2, 13, 31, etc.), COLORS (red, black, green), “PLACE YOUR BETS PLEASE”, “NO MORE BETS”, “WELCOME TO ROULETTE”, ALL BET TYPES, requests and notifications, and many many more are included for complete and all-encompassing gameplay!
CASINO INDUSTRY’S HIGHEST QUALITY SOUNDS
Enrich your title in seconds with beautifully mixed, AAA quality sounds brought to you by our team of industry veterans, whose 1000+ slot games worth of experience have culminated in this extraordinary sound pack! Each audio file is drag-and-drop ready, presented in high-quality MP3 and WAV formats with meticulously labeled keywords, so you can create the perfect gaming experience for your players in a matter of moments!
BUY NOW this HUGE audio library, packed with unprecedented value for any casino game developer!
ADDITIONAL FEATURES:
TECHNICAL DETAILS:
DOWNLOAD NOW to instantly turn your project into a true masterpiece!
Get an elite cache of cinematic power and creative expression. Collision FX delivers an exceptional pallete of sound to design, compose, score, sweeten and create astonishingly impressive cinematic elements that absolutely get noticed. Built on a sonic foundation of cinematic source FX, composers, musicians, DJ’s and sound designers alike are empowered with unmatched inspiration for creating breathtaking cinematic dynamics and orchestrated elements.
Imagine the visceral sensation of particles shifting and evolving, the subtle textures of organic materials swirling and twirling, and the eerie sounds of supernatural change. With “Elemental Mutation,” you’ll have access to this unique collection of SFX loops that capture these experiences in intricate detail. Inside you’ll find over 1000+ designed and organic seamlessly loop-able morphing particles, evolving textures, and organic mutations sound effects perfect for creating soundscapes, ambiences, entropy, high detail or layers in a soundtrack. This comprehensive library captures the subtle nuances of growth and evolution, as well as the uncanny and unsettling sounds of unnatural transformation.
AntiSystem, a brand new collection of 570+ Horror Sci-fi one-shot samples and loops with a technoid approach, created in collaboration with South American sound designer Matias Cerviño and SampleTraxx.
Antisystem delivers tension and excitement with a genre-crossing, detailed hard-hitting sound design. Especially suitable for horror and sci-fi projects, it brings to the table a complete arsenal of unmistakable signature sound effects.
1,6 GB of WAV samples with Key Information, 15 Categories, and 17 Kontakt Instruments ready to be fired in your next project.
Inject a new wave of sonic madness!
Categories:
Atmosphere
Atmospheric Elements
Cinematic Movement
Crescendo
Feedback Larsen
Glitch Stutter
Hit Design 1
Hit Design 2
Loops with Kontakt tempo sync
Low Hit
Low Key Elements
Ramp Up Woosh By
Reverse
Rise
Topping Elements
Features:
1.6 GB of content
15 Categories
570+ Wav samples 48/24 with key information
17 Kontakt Instruments – Full version 5.8 needed
Kontakt Free Player not supported
Add more horror and terror to your projects with this library packed with fear! Providing you with over 500 high-quality audio files of originally designed royalty free trailer-ready horror sounds, each featuring a unique character, intensity, speed and weight, this immense collection of scary epicness is a perfect choice for any type of media that requires cutting edge Hollywood quality dramatic transition and movement sounds.
ENDLESS FLEXIBILITY, WOLD OF POSSIBILITIES
Want to give your audience a ride of their lives by ramping up and down the feel of your project? With a dizzying selection of variant options, including DIFFERENT INTENSITY LEVELS, MULTIPLE LENGTHS, SIMPLIFIED and COMPLEX VERSIONS, FULL SEQUENCES, and many more, a whole world of possibilities is at your fingertips.
HUGE TIMESAVER, EASY TO STUNNING RESULTS
Each single sound in this collection was carefully produced for super-fast and professional results. To instantly boost your project to the next level, simply search for keywords that match the feel you wish to add to your project, drag the sounds listed by your search terms into your project, and blow away your audience by driving their speakers and subwoofers to the maximum, just like that!
Each sound effect is included in 3 different formats for your convenience:
Designed by our team of industry veterans with decades of experience in the AAA gaming industry, this meticulously crafted sound library will add massive value to you project and instantly mind-blowing results for you and your audience.
KEY FEATURES:
DOWNLOAD NOW and reward your audience with an epic scary, ground-shaking experience like no other!
Hybrid Sonic Branding Kit is a business identity & motion graphics sound effects library that delivers luxury sound design styles for big brands, sonic identities, intros, outros, twitch, youtube, explainer videos, audio logos and title screens. Inside you’ll be able to utilize over 480 professionally designed sound effects that are guaranteed to make your workflow faster. Let your curiosity flow with lush sequences, polished sonic branding motion and get sound types like movements, transitions, reveals, appears, disappears, title screens, cinematic’s, accents and is especially useful for audiovisual needs and productions.
An intense and powerful collection of highly sought after cinematic trailer sound effects. Welcome in, Trailer Force, a specialized boutique movie trailer sound effects library tool kit filled with all the essentials. Designed to add industry standard brute sonic force to your mixes and strikes big cinematic energy within your productions. Inside you’ll hear beefy trailer hits, rising whooshes, punchy impacts, eerie tension drones, a vibrance of textures and aesthetics, all layered to perfection. Create compelling motion graphics, cinematic cutscenes, FX, trailers and epic audio dynamics.
This pack includes 107 files of 6 Gamelan instruments and 1 Harp. This library is a sample pack of sound textures ranging from scarping, single tones, spinning notes, intervals, and playing the Gamelan instruments with various mallets.
Recorded with 2-3 microphones and from 2-3 mic positions, you have a pretty good range of sound textures to choose from!
We used this library mainly to add tonal qualities and textures to our RPG Magic SFX Pack 3 – Elemental. Now you can also have access to these recordings!
Epic Stock Media’s Game & Film Logo Transitions collection brings producers and sound designers a carefully handcrafted, versatile and wide ranging catalog of the most useful designed motion graphic sound effects for audio branding, intros, outros, twitch, youtube, explainer videos, audio logos and title screens. Inside you’ll be able to utilize over 400 original audio assets that will help you make polished sonic branding sound types like movements, transitions, reveals, appears, disappears, cinematic’s, and accents especially useful for audiovisual needs and productions.
Take your creativity to new heights with over 410+ files featuring melodic synths, harmonic vocals, powerful drums, strong percussions, distinct atmosphere and more! One listen and you will be hooked, Cybernetic Rave has everything you need to help create your next music production & tracks.
* 324 audio files
* 89 midi files
* 160 loops
* 164 one shots
* 458.6 MB of loops & one shots
A heavily processed & designed collection of highly sought after cinematic trailer sound effects. Welcome in, Annihilation Movie Trailer, a specialized boutique movie trailer sound effects library filled with all the essentials for creating destructive cinematic scenes in games and film. Designed to add modulated industry standard bombastic sonic force to your mixes and hit abstract cinematic energy within your productions. Inside you’ll hear powerful trailer hits, rising whooshes, blasting mangled impacts, and a vibrance of textures and aesthetics, all layered to perfection. Create compelling motion graphics, cinematic cutscenes, FX, trailers and epic audio dynamics.
250 movie trailer sound effects
1.95 GB of cinematic trailer audio samples
All in 96k 24bit .wav
Perfect for any level of game or sound designer
Embark on a treacherous journey into the depths of the netherworld and unleash the malevolent force that is the Dark Strider! Behold, for within the realm of video games, we introduce you to AAA Game Character Dark Strider. This auditory masterpiece encompasses over 320+ sinister male voice-over incantations, containing a staggering 459 MB of sonorous samples, all cloaked in the mystical garb of 24bit/96k.wav format.
Church bells from Middle Ages to early 20th century. European traditional bells made in bronze. Various churches, bells and sound perspectives. From near field recordings recorded in church towers to far field recordings – soundscapes of bells in countryside/city, small town, villages…
Maritime bells included (old sailing/steamships from the 19th century). Recorded in the Museum of Maritime History.
Finest equipment used like: AKG, Sennheiser,…mics, Sound Devices recorder/mixer. (Few recording captured in mono with dynamic mic-high sound pressure/level)
Metadata tagged with list of equipment and approximate age of bells.
Check the sound list for further info.
The ARP Odyssey is nothing short of a legendary synthesizer. Released in 1972 as a direct answer to the famous MiniMoog, the Odyssey became one of ARP’s most beloved synths and has been used on too many hit records to count. Stevie Wonder, Jean Michel Jarre, Kraftwerk, Devo, Abba… The list of famous Odyssey users reads like a top ten list of the most influential artists in the history of recorded music. The Odyssey is, in essence, a minimalist take on the ARP 2600 – simplified into a straightforward and immensely capable performance synth that is as sonically powerful as it is accessible. Its dual oscillators with sync functionality, FM, ring modulation, white/pink noise generator and dual EGs allow it to produce a great variety of sounds that are as universally useful as they are distinctly ARP.
The year 2022 marks the Odyssey’s 50th anniversary, an event I knew I had to celebrate with you! To celebrate this legend’s birthday, I created a library of tastefully gnarly basses, searing leads, versatile synths, and a whole load of plucks for you to bring into your productions.
In 2015, equally legendary instrument manufacturer KORG took it upon themselves to release a faithful replica of the classic duophonic Odyssey that encompasses the character of all three Odyssey revisions ARP produced. This is achieved by allowing the player to switch between the three different filter circuits used in the MKI, MKII, and MKIII respectively. The added analog “drive” circuitry of the KORG Odyssey adds a tasteful amount of saturation which I heavily exploited to make the sounds of this sample library extra juicy. This instrument was captured using high-end converters and cables to create ØDYSSEUS.
ARP’s SOLUS synthesizer is a portable powerhouse synth that can produce some seriously beefy sounds that feel right at home in today’s music. Released in 1980, SOLUS was developed as a portable performance synthesizer, hence being constructed as a flight case, featuring a hardwired power cord poking out of the front panel and panel-mounted I/O. Featuring two oscillators with sync functionality, ring modulation, and a classic ARP filter, this synth boasts plenty of sonic potential.
SØLUS features super beefy basses, searing leads, sturdy synths, and so much more. All ready to be used in your favorite DAW. As always, this synth was meticulously multi-sampled to preserve its original tonality while keeping noise to the absolute minimum.
While ARP SOLUS is a synth often standing in the shadows of its legendary siblings ODYSSEY and 2600, it truly is an instrument worthy of Alan R. Pearlman‘s legacy. When it comes to cutting through a mix, it’s one tough synth to beat.
As always, this synth was sampled using pristine converters, DI, and Rheingold cables to bring the instrument’s full sonic potential to your productions. Since ARP SOLUS only accepts a limited range of CV input (somehow you can’t feasibly play below C2 via regular CV), every single one of the included samples had to be hand-played and edited on top of being meticulously looped by hand for seamless infinite sustain.
As a minimalist monophonic synthesizer from the 70s, the ARP AXXE is as straightforward as it gets: Single oscillator, one envelope generator, a simple low-pass filter, white noise generator, pwm… However, it still manages to achieve that delightfully gnarly ARP sound that’s so unique to everything this little New England-based synth manufacturer put together.
This pack of carefully multi-sampled AXXE patches is a tribute to this simple synth’s greatness and contains tons of musical and useful sounds that are just as relevant today as they were back when this little synth hit store shelves. From solid basses to quirky plucks, from noise crashes to surprisingly competent synth drums – this pack is sure to inspire you.
No corners were cut during the sampling process and every single patch was recorded one semitone at a time for consistent timbre and maximum authenticity. Additionally, each note was tuned individually to make sure this pack can work along all your other instruments and samples.
Recorded with Rheingold music cables and high-end Antelope Audio converters, these samples are pristine and endlessly tweakable. To make sure that this pack is useful for everyone, I’m offering you these patches in a whole load of different formats so that you can bring them into your favorite sampler. Even hardware workstations are accounted for with a full MPC Expansion and files for various KORG machines.
The Bullroar is a ritualistic instrument and when spun, creates huge powerful gusts, whirs, growls, flutters and buzzes. It is an incredibly unique sounds and allows for the creation of characterful winds, whooshes, vehicles, drones and much more.
This library serves as fantastic source material for sound designers in Film, TV and Video Games and is a great set of sounds to have in your arsenal.
Bullroar contains over 70 sounds recorded in Stereo 96kHz/24 bit with a variety of gestures and movements and different speeds from fast flutters to slow spins, tagged with the UCS convention.
Recorded with a Rode-NT4 Stereo Mic into a Sound Devices MixPre-6 recorder.
122 classic hip hop drum samples featuring hard hitting, authentic hip hop essentials inspired by street life & legendary hip hop producers like DJ Premier, Pete Rock, Mobb Deep & more.
* 122 one shots
* Kicks, Hats, Snares, Percs
* All in 48k 24bit
* Crispy Hip Hop Drum Samples
My first sample pack ever to stretch the boundaries of time and space. Extracted from obscure records discovered in a parallel universe while experimenting with a DIY particle accelerator. 100% royalty free in this universe and my biggest pack to date with a whopping 200 loops!
All joking aside, this pack contains 100% royalty free drum breaks that have been carefully handcrafted to sound like they’ve always been out there, just waiting to be sampled. Using sophisticated processing and pulling from over a decade worth of experience in programming uncannily realistic sounding drum grooves, these breaks are the result of years spent studying what made those memorable grooves from the 60s, 70s, and 80s so catchy.
This pack covers a wide range of genres and distinct drum sounds that can stand on their own and compliment each other.
A number of loops even stem from the days when I still ran a little studio in Germany. Every now and then I would sneak behind whatever drum kit was in the studio at the moment and record some grooves. Turns out that these recordings came in very handy!
These loops are meant to be chopped, layered, mangled, and processed into anything you can think of – no clearance necessary.
223 loops / 370 mb in total. All files come as 44.1 kHz / 24 bit WAV and are labeled with their tempo.
Bowed Mandolin Contains over 70 different bowed textures and articulations gathered from bowing a vintage Mandolin with a Cello Bow. The multiple strings on the Mandolin make for a very rich and unique sound, perfect for Horror and Thriller genres.
Bowed Mandolin contains a range of short high pitch swells and screeches, long textural movements and low deep rips recorded in Stereo (RODE NT4) at 24bit/96kHz to allow for the best manipulation and time stretching options.
Check out our other Library ‘Bowed Bass’ for the perfect dark low end accompaniment.
The ARP OMNI is not just a synth, it’s more of a predecessor to modern day performance keyboards with its 3 distinct sound engines: Strings, Synth, and Bass. It’s string engine utilizes a divide-down tone generator that technically gives it unlimited polyphony. Its classic string sounds will be instantly recognizable to any fans of Joy Division, The Cars, or Kraftwerk. One might even say that the OMNI’s string engine played a big part in establishing the sound of New Wave. A “hollow” waveform mode gives the strings a more synth-like touch. In either mode, OMNI’s strings are lush and beautiful sounding, especially when combined with a long reverb or even a phaser (for that classic Jean Michel Jarre string sound).
The string section features Bass, Cello, Viola, and Violin registers.
Its synth is a simple single-oscillator design with a single envelope generator, a warm sounding ARP low-pass filter, and single LFO. This synth is capable of some quirky and musical sounds and serves as a great complement to the String and Bass engines. It doesn’t boast all that much low-end and its strength really sits in the middle register.
The bass engine is somewhat of a hidden gem as it pulls off a surprisingly convincing electric bass that’s both punchy and warm sounding and mixes well with the built-in synth. Sitting in the mix, this bass provides some serious low-end without being overly in-your-face. Both the 16′ and 8′ octaves can be mixed for an extra chunky octaver-style effect.
To get the cleanest possible tone out of this pristine ARP OMNI, I recorded it using a DIYRE FE2 DI Box with CineMag transformer, high-end Rheingold Music cables, and Antelope Audio converters. The instrument’s self noise has been reduced using subtle AI-assisted spectral de-noising to make sure these sounds will still sound very clean when being heavily processed. To allow for ideal sustain behavior, the string samples are looped within at least 3 full waveform cycles.
The DX7 is a synth of near unmatched significance to music history as it essentially defined the sound of music in the 1980s. Being the first affordable digital FM (frequency modulation) synthesizer, it quickly found its way into the arsenals of everyone from hobbyists to superstars alike. The immense potential of FM synthesis stems from its complex algorithms defining how different oscillators can interact, while being very light on computing resources. These made it possible to recreate lots of different acoustic instruments somewhat convincingly but also to create sonic tapestries and sound effects that had been unheard of at the time. Pair this with velocity sensitivity and 16 voice polyphony and you can see that the DX7 made for one seriously capable performance synth.
Throughout its life, the DX7 had several VOICE ROM cartridges released for it which gave users access to new sounds both from Yamaha and third-party sources. For this library, I sampled the VOICE ROM 3 cartridge which contains 64 recreations of band and orchestral instruments. As always, these samples have been sampled meticulously using high-end converters, several samples per octave, and multiple velocity layers where appropriate.
So, this pack happened sort of on a whim. Armed with a new field recorder and eager to test its capabilities I recorded some sounds my bike makes. I quickly found that these little samples had a lot of potential and immediately started manipulating, layering, and mangling them into a fully fledged drum kit. This kit covers everything from seat-smacks turned 808s, spoke flicks turned snare drums, and freewheel hubs turned hi-hats.
So here it is, “SPØKES”, a super off-the wall drum kit that is 100% original, 100% bike sounds, yet 100% musical at the same time. This kit was a blast to make and I hope you’ll be having just as much fun using it in your productions.
Important: These are not the kind of bicycle sound effects you’d want if you’re looking add believable sound to a bike onscreen. This is a set of samples specifically targeted at music makers and as source for more experimental sound design.
Few companies have shaped the role of drum machines in music quite as significantly as Roland. In the 1980s, they created a set of machines that have since become legendary and are still being used today, be it in hardware form or (most commonly) as samples. The TR-707 is just as recognizable as its siblings, the 808 and 909, and features a set of digitally sampled sounds that’ll be instantly familiar to anyone hearing them. Sonically, it sits somewhere between a LinnDrum and TR-909 with two punchy kicks, two relatively low-pitched snares with snappy transients, a 909 hi-hat and cymbals, a capable clap, nice “woody” toms, and a classic low-pitched cowbell and rim.
With digital memory at a premium at its release, its digital samples were stored in resolutions of 8-bit for drums and percussion, and 6-bit for cymbals. This is no doubt one of the factors contributing to this machine’s crispy sound that is remarkably clear given the limitations of digital audio at the time. A trick that Roland employed to avoid low bitrate dithering artifacts during sample decay was using analog envelope generators that attenuate the individual sounds after the 707’s D/A converters. This is why the 707’s sounds decay much more gracefully than those of some of its digital contemporaries.
With its ability to send and receive MIDI, sync external hardware, and output sounds on dedicated outputs, this drum machine had all the necessary features in place to make it mainstay in many artists’ studios. As such, it can be heard on countless records either providing all drums or often times specifically lending a song its punchy kick and snare.
Of course, I’m aware that there are many 707 sample packs already out there. What makes this pack stand out however is the sheer amount of sample varieties and the clarity of the raw samples. Having recorded a pristine 707 using Rheingold Music cables, a DIYRE Fe2 DI with CineMag transformer, and high-end Antelope Audio converters at 24-Bit / 96 kHz ensures that the raw samples are the cleanest available anywhere.
To create 707+, these samples have then been processed in numerous ways, exploring the full potential of the machine’s 15 sounds. I recorded them to 1/2″ tape using my restored Tascam 58 reel-to-reel multitrack tape machine at 15ips, 18ips, and 12ips to infuse the samples with analog warmth. I then captured these same recordings at different speeds to create the kind of clean re-pitching only tape machines can achieve.
Next, I recorded the sounds onto cassette tape using a 1965 mono tape recorder originally intended for voice memo and PA use. Needless to say, the resulting samples are super grungy yet retain a lot of punch. I captured them at different input gain levels to achieve varying amounts of distortion and saturation.
To further go down the LoFi rabbit hole, I captured the raw samples using a teenage engineering po-33 K.O! sampler that uses really punchy 8-bit A/D & D/A converters and re-pitched them yet again for that ultimate LoRes grit.
Ultimately, I didn’t want to put out this pack without putting a uniquely personal spin on these samples. That’s why I pooled together all of the above mentioned sounds and utilized some sophisticated processing and layering techniques to create a contemporary drum kit with bucketloads of punch. This kit is suitable for anything from trap to lo-fi and is unlike anything you’d expect to come out of the TR-707.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.