Buy 3 packs or more = get new SoundBits pack included free
Get wild sound deals in the huge sale here
Home Formats Universal Category System (UCS) Page 22
Sound effects libraries where the file names and metadata follow the Universal Category System (UCS), championed by renowned sound supervisor Tim Nielsen & more
https://vimeo.com/823119334
https://vimeo.com/823119250
Analog Interface is a powerful and diverse custom UI sound effects library made by recording, performing and manipulating outboard analog subtractive synthesizers and physical hardware. Hand crafted synthesis performances recorded at 96khz provide a rich pallet of sonic elements which are then designed further into complex, expressive and wildly useful sounds for sci-fi sound design, UI, motion graphic sound design, heads up display, text on screen and beyond. This library covers everything from the cleanest and simple UI selects to the grittiest of glitchy textures of sci-fi telemetry.
The elements are raw yet curated analog performances and textures that provide an endless sonic playground of building blocks for sound designers to craft into original manifestations. By design the instruments selected for this library project were mono subtractive synths of old and new to perform and collect patches in rich and simple states. Each synth selected provide their own aesthetic and character that culminate into a one of a kind sonic signature. The use of purely analog synthesis creates unique sounds that cannot be replicated exactly the same way twice. The slight variations in the components and the environment used can affect the produced sonic character, creating an intangible magic impossible to achieve with software alone. Complimenting the synths are collections of custom EMF recordings, servos and mechanical switches, breaking the third wall from within the machine to the physical world.
The designed sounds are the combined works of four career sound designers at Dallas Audio Post. The analog elements were layered, morphed, programmed and re-contextualized in both meticulous hand crafted methods and complex parameter randomization processes. The combined results are a collection of beautiful, compelling and engaging sounds that we believe are extremely needed in the modern sound design ecosphere.
Complimenting the vast UI collection are analog transitions designed for use of motion, doppler effects and signify a sample of future libraries in the making.
The end result is a sound effects library that’s not only incredibly versatile but also highly creative.
Enjoy!
This library contains dynamic, harsh, aggressive and sometimes mysterious wind sounds and strong and heavy gusts.
I took bike trips around World War II sites on the shores of France and the Netherlands. The winds on the steep rocky cliffs as well as on the long sandy beaches are one of a kind. Especially the resonances of rumbling bonkers and swirling winds inside hides and on the concrete edges of munition depots create an atmosphere of terror, that allowed me to took a glimpse inside the soundscapes of these horrific times.
The cliffs with the old war stuctures, the dunes, the swapping sand, the storms in the forests behind the shoreline all have a unique character and texture.
I picked the recordings, which created images of the battlefield inside my head and described these images in the meta data. But of course this wind library can be used for any scene, that contains a strong blow of air.
Most sounds are recorded in ORTF stereo, some were better captured in mono or with a contact mic.
If you need more specific wind sounds, my library “Tonal Wind” and this library are complementing each other to a versatile tool for a broad use of wind sounds. Contact me for bundle prices.
A library of classic sounds of movement and friction between stones, gravel, dust, and debris. Perfect for any stone material Foley from simple oneshots to particle systems of destruction and rubble.
This is a unique sound library in the sense that we recreated the most iconic retro videogame sounds of the 70s and 80s using top-of-the-line analog modular synthesizers.
A collection of scientific equipment sounds handled by experienced researchers. Includes sounds of liquid nitrogen canisters, centrifuges, photometers, pipettes, timers, freezers, and more.
Wind Bundle includes three different sound libraries, providing a comprehensive and versatile collection of windy sounds. By purchasing this bundle you will benefit of a 20% discount.
Footsteps Bundle comprises all three of our Footsteps libraries. Inside are runs, walks, jumps, scuffs and stops performed on a wide range of surfaces, all recorded in our acoustically-treated Foley suite.
These surfaces include: wet and dry concrete, broken glass, dirt, gravel, leaves, laminate, pallets, carpet, rocks, metal and wood. Movement on these surfaces were expertly performed, captured and edited by our Audio Craftsmen to provide you with a useful variety of steps.
Achieve a natural, unprocessed sound in Film, TV and Game projects with these footsteps – all without leaving your desk. Convenience and quality rolled into one!
Vol. 1 is delivered at 96kHz, while Vols. 2 and 3 are delivered at 192kHz. The entire bundle is delivered at 24Bit and tagged with extensive Metadata for ease of use.
Take a journey to Kenya with this collection of authentic ambient sound effects, recorded on location in the country. With 80 individual WAV files recorded in mono at 24bit, 48kHz. Remote village. Midsized markets. Nature soundscapes. The streets of Nairobi.
The Foley Vault is home to an ever-growing collection of original Foley recordings.
Each library was captured by professional Foley Artists on our in-house Foley Stage using a Sennheiser MKH50 microphone.
These sounds were originally performed for a variety of feature and short film projects. They have now been compiled and released for you to edit and implement into your own film, game and television productions.
Football Foley Vol. 1 is a concise collection of foley-esque football sound effects recorded on a grass football pitch. Hear a footballers footsteps, kicks, strikes, passes, dribbles and more!
You can combine these sound effects with our UK Football Volumes to sweeten the sports scenes in your Film, TV and Game projects.
All sounds are delivered in 24Bit 96kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.
The Foley Vault is home to an ever-growing collection of original Foley recordings.
Each library was captured by professional Foley Artists on our in-house Foley Stage using a Sennheiser MKH50 microphone.
These sounds were originally performed for a variety of feature and short film projects. They have now been compiled and released for you to edit and implement into your own film, game and television productions.
The Foley Vault is home to an ever-growing collection of original Foley recordings.
Each library was captured by professional Foley Artists on our in-house Foley Stage using a Sennheiser MKH50 microphone.
These sounds were originally performed for a variety of feature and short film projects. They have now been compiled and released for you to edit and implement into your own film, game and television productions.
‘GEIGER COUNTER’ by Flysound is a comprehensive sound catalog for a very unique piece of kit: a Soviet era radiation measurement device.
We have captured the different beat intensities of the machine, the strength of detection signalling, and other sounds such as on/off. We were able to capture the nozzle reacting to real radiation – minimal, but still significant enough to create great sound.
The 96kHz/24bit synced recordings bring the sound of atomic danger into the 21st century production values category. The metadata has been written to adhere to the Universal Category System.
UK Football Vol. 2 is the second in our series of candid UK football fan recordings. Crowd reactions and walla were captured during gameplay to bring you a selection of spectator sounds brimming with unique English personality!
This library comprises a variety of activity recorded by our Audio Craftsmen from a pitchside and stands (AKA bleachers) perspective. Inside you will find football impacts, “weeey”s, “awww”s and boos, swearing, yelling, clapping, players shouting, Tannoy announcements, jeering, whistles, as well as encouraging, aggressive, angry, annoyed, sarcastic and fighting spectators!
This collection of football fervour is ideal for TV, Film and game scenes requiring passionate voices and performances. Use it to embellish sport backgrounds or boost tension during on-screen competitions.
All sounds are delivered in 24Bit 96kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.
Household Textures is all about those peculiar textures that we can obtain from an everyday object that is already in our place. These sounds can become a super useful source when it comes to sweetening your sound design workflow.
The Cinema sound effects library brings you the sounds of a quintessential cinema experience – from popcorn, snacks, beverages, fellow (even obnoxious) audience members and old-school creaky cinema seat!
Our Audio Craftsmen manipulated a variety of props and snacks to yield a huge number of useful sounds. The actions in these recordings cover moving popcorn around in a cardboard bucket, dropping nachos on a cinema carpet, pouring cola over ice into a cup, slurping it through a straw, rustling various plastic and foil snack wrappers, shushes, spectator reactions and comments, perspective coughs and whispers and much more!
Accent your film, TV or game scenes and build an authentic cinema, picture house or theatre environment with this Foley-based library!
Sounds have been separated into the following categories:
Cinema Seat: Close-mic’d and perspective recordings of the fabric and squeaks of a well-worn chair while someone sits down in it.
Cinema Steward Sweeping: In the after-movie quiet, hear the sound of an employee sweeping up popcorn and nachos with a broom on carpeted and hard surfaces.
Cola: Pouring soda into a plastic and paper cup, drinking, slurping, sipping, clinking and rattling ice, carbonated fizz, moving the straw, screwing a plastic cap – the fizzy drink essentials!
Popcorn: Eating, munching, shaking, crunching, sifting, dropping, digging, moving popcorn in a cinema-style cardboard bucket.
Nachos: As above but with nachos! Manipulated within a carboard tray, as one would find at the cinema.
Spectator Reactions: A multitude of lines and reactions one usually hears from fellow audiences, including gaps, coughs, and questions. Additional perspective whispers, murmurs and eating will form a fantastic foundation for building up any cinema or theatre scene.
Wrappers: The dreaded but essential crinkling of various paper and foil snack wrappers.
All sounds were recorded in 24Bit 96kHz, and have been tagged with extensive UCS metadata for ease of use.
Nature’s Fury: Wind contains a variety of wind ambiences including some pretty heavy winds! There is wind in late-fall forests where you can hear branches hitting each other and leaves on the ground; high gusting winds roaring through trees and houses; whipping winds blowing through leafy trees and dry cattails; and even some interior perspective with wind whistling through a window seal.
SOUNDS FROM ANOTHER UNIVERSE
CINEMATIC DRONES gives you a sound pack of epic atmospheres and soundscapes ready to use, from evolving textures to simple bell drones or thrilling ambiences. This library is perfect for thrillers, horror, sci-fi, fantasy, documentaries and meditative scenes. Listen to the preview and dive into the sound world of CINEMATIC DRONES.
CUTTING EDGE ATMOSPHERES
A right sound atmosphere is the basic key to set the desired mood for your production and to take the audience’s attention. Guide the listener on his journey with cutting-edge drones created from source recordings like city atmospheres, water sounds, traffic, synthesizers and more. The drones range from simple to artistic and complex sounds that tell stories themselves like music.
Eastern European Wetlands is our new sound effects library, made in collaboration with our friend and acclaimed field recordist Georgi Valchev from West Wolf Audio.
This outstanding collection of sound effects contains stunning ambient recordings from a variety of rural locations within Eastern Europe, such as Bulgaria and Romania. These real-world locations include wetlands, marshes, swamps, forests and city outskirts, and features a diverse line-up of wildlife local to each area.
Our team of audio craftsmen have edited and processed each sound with the upmost precision, so that you can drop your sounds straight into your project timeline and get down to work with minimal fuss.
All files in this library come at a sample rate of 24Bit 96kHz allowing for further sonic manipulation, and have been tagged with extensive UCS compliant metadata for ease of use.
Male Screams to enhance your projects, whether game or film!
Agonising screams, Fearful shrieks and aggressive battle cries
All Recorded in 24/192khz so they can be easily manipulated if needed
The First Industrial Revolution, which arised in the second half of the 18th century, meant a series of industrial and socioeconomical transformations and a turning point on sound: the end of silence.
Asturian sound editor and designer Oscar de Avila is the main recordist of this Library. He begins his career in the mid 90s as a music composer and sound editor for audiovisual media, carrying out numerous projects for several institutions and film production companies in the Principality of Asturias.
This large compilation of registers formed by forced sounds, dark and electrical textures and industrial-themed backgrounds have been registered in 2019 at the most important and strategic areas (they had difficult access and permits were hard to get) around some industrial locations in the Principality of Asturias,Spain, which is my home place, as I was working for a documentary website on Asturian industrial historic heritage as the only responsible for sound design and editing (patrimoniuindustrial.com).
All our libraries are UCS compliant (universalcategorysystem.com). In this new category system all files contain extensive metadata like file description, Category & Subcategory. Metadata can be read and processed by the most common audio libraries management tools . Starting with Full support from Soundminer and more audio tools adopting this system, we are adopting metadata UCS system in our files!
Field recordings from central London featuring busy traffic and ambiences including cafes, public parks, Kings Cross train station, The British Museum and Buckingham Palace. Ready to use in projects requiring sounds of the English capital.
This library includes 155 sounds of onboard and tracking skateboard sound effects on concrete, wood, and metal. Performances of kickflips, tail dragging, ollie pops, skidding, jumping, and more. This library can help bring your next film, game, documentary to the next level!
Escape the city and explore Sydney’s surrounding areas and beaches. Listen to the relaxing ocean waves in Manly on a hot sunny day. Go on a pleasant walk from Bondi to Bronte and appreciate the nature sounds. Finally, go to the wildlife park to discover Australia’s exotic soundscapes mixed with visitors.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.