Sound supervisors/sound designers Oliver Tarney and James Harrison share details on the sound of ‘Napoleon,’ which recently earned a spot on the Oscars Shortlist for Best Sound. Here, they discuss their approach to recording weapons and horses, building era-appropriate battles of varying scales and levels of precision, recording and designing battle walla, and so much more!
Read MoreThe Iconic Sounds of Star Wars – legendary sound designer Ben Burtt in conversation with Adam Savage
Check out this fantastic interview with sound design legend Ben Burtt, on the iconic sounds of Star Wars:
Read MoreEstablishing the ’80s Era for ‘AIR’ – with Sound Supervisors Ai-Ling Lee and Susan Dawes
Sound supervisors Ai-Ling Lee and Susan Dawes talk about setting the stage sonically for Amazon Studios’ biographical sports drama ‘AIR.’ Set in 1984, the story mainly unfolds in the offices at Nike, where talent scout Sonny Vaccaro changed history by signing rookie Michale Jordan to a deal that ultimately led to the creation of the iconic AIR Jordan shoeline.
Read MoreBehind the Immersive Sound & Mix of ‘The Hunger Games: The Ballad of Songbirds & Snakes’ – with Jeremy Peirson and Michael Babcock
Find out what went into creating the detailed sound and Dolby Atmos mix of ‘The Hunger Games’ prequel ‘The Ballad of Songbirds & Snakes’ – from designing elaborate futz treatments to panning particles of debris and much more!
Read MoreCreating the ‘Vintage-Futuristic’ Sound of ‘The Creator’ – with Sound Supervisor/Sound Designer Erik Aadahl
Oscar nom’d Sound Supervisor/Sound Designer Erik Aadahl shares insights into the ‘vintage-futuristic’ sound of sci-fi drama ‘The Creator’:
Read MoreSculpting the Supernatural Sound of ‘The Exorcist: Believer’ – with Rich Bologna
Sound supervisor/re-recording mixer Rich Bologna breaks down his approach to creating the supernatural sound of ‘The Exorcist: Believer’ directed by David Gordon Green:
Read More‘No One Will Save You’: How Lack of Dialogue Created Abundant Opportunities for Superb Sonic Storytelling:
‘No One Will Save You’ is a sci-fi/horror film that is missing one key element found in most films – dialogue! Here, award-winning supervising sound editors/re-recording mixers Will Files and Chris Terhune talk about their unique experience of using effects, foley, and the breath track to tell much of the story, the challenges and opportunities of mixing without a dialogue track, and so much more:
Read MoreThe Ultimate Horror Sound Guide 2023: Behind the Scariest Sound for Film, TV & Games + How to Make Your Own Terrifying Sound Effects:
How the most terrifying sounds for horror movies, series & games are made + get your own scary horror sound effects:
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