Huge Emmy 2022 overview: Here are the sound stories behind 14 nominees for Sound Editing and Sound Mixing:

Nominees for Sound Editing: Matthew Wood, Co-Supervising Sound Editor • David Acord, Co-Supervising Sound Editor • Brad Semenoff, Sound Editor • Steve Slanec, Sound Editor • Kyrsten Mate, Sound Editor • Adam Kopald, Sound Editor • Joel Raabe, Sound Editor • Anele Onyekwere, Music Editor • Ed Hamilton, Music Editor • Nashia Wachsman, Music Editor • Shelley Roden, Foley Artist • John Roesch, Foley Artist

Behind the sound of Loki:

Nominees for Sound Editing: Matthew E. Taylor, Co-Supervising Sound Editor • Michael Schapiro, Co-Supervising Sound Editor • Kip Smedley, Sound Designer • Clay Weber, Sound Editor • John Sanacore, Sound Editor • David Barbee, Sound Editor • Matt Decker, Music Editor • Alyson Dee Moore, Foley Artist • Rick Owens, Foley Artist • Chris Moriana, Foley Artist

Behind the sound of Star Trek: Strange New Worlds:

Nominees for Sound Editing: Craig Henighan, MPSE, Co-Supervising Sound Editor • Will Files, MPSE, Co-Supervising Sound Editor • Ryan Cole, MPSE, Sound Editor • Korey Pereira, MPSE, Sound Editor • Angelo Palazzo, MPSE, Sound Editor • Katie Halliday, MPSE, Sound Editor • Ken McGill, MPSE, Foley Editor • Steven Baine, Foley Artist • David Klotz, Music Editor • Lena Glikson-Nezhelskaya, Music Editor

NOMINATED:
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)

Nominees for Sound Mixing: Will Files, CAS, Re-Recording Mixer • Mark Paterson, Re-Recording Mixer • Craig Henighan, CAS, Re-Recording Mixer • Michael P. Clark, CAS, Production Mixer

Behind the sound of Stranger Things:

The Duffer Brothers and Stranger Things Season 4 | Sound + Image Lab:

Nominees for Sound Editing: Brad Beaumont, MPSE, Co-Supervising Sound Editor / Sound Designer • Eliot Connors, MPSE, Co-Supervising Sound Editor / Sound Designer • Shannon Beaumont, ADR / Dialogue Editor • Alex Ephraim, MPSE, Foley Editor • Alexander Temple, Music Editor • Alex Seaver, Music Editor • Dan O’Connell, Foley Artist • John Cucci, Foley Artist

Behind the sound of Arcane:

The Sound & Music of Arcane: League of Legends

The Music and Sound Design of Arcane League of Legends

Nominees for Sound Editing: Patrick Hogan, Sound Supervisor • Daniel Salas, Sound Editor • Jesse Pomeroy, Sound Editor • Gary DeLeone, Sound Editor • Nick Papalia, Sound Editor • Andres Locsey, Music Editor • Mitchell Cohen, Foley Artist

Behind the sound of Cobra Kai:

Nominees for Sound Editing: Brad North, MPSE, Co-Supervising Sound Editor • Craig Henighan, MPSE, Co-Supervising Sound Editor • Anthony Zeller, Foley Editor • Jeff Charbonneau, Music Editor • Zane Bruce, Foley Artist • Lindsay Pepper, Foley Artist

Behind the sound of Love, Death + Robots:

Creating a Successful Anthology TV Series — LOVE DEATH + ROBOTS Season 3 | Sound + Image Lab:

Nominees for Sound Editing: Brent Findley, MPSE, Co-Supervising Sound Editor • Bernard Weiser, MPSE, Co-Supervising Sound Editor • Ashley Harvey, Dialogue Editor • Kip Smedley, Sound Effects Editor • Mark Cleary, Sound Effects Editor • Jordan McClain, Foley Editor • Sharyn Gersh, MPSE, Music Editor • Richard David Brown, Music Editor • Sanaa Kelley, Foley Artist • Matt Salib, Foley Artist

Behind the sound of Ted Lasso:

Nominees for Sound Editing: Steffan Falesitch, Sound Supervisor • Chris Kahwaty, MPSE, Dialogue Editor • David Barbee, MPSE, Sound Editor • John Guentner, Foley Editor • Sam Lewis, Foley Editor • Steve Griffen, Music Editor • Ellen Heuer, Foley Artist

Behind the sound of What We Do In The Shadows:

Nominees for Sound Editing: Trevor Gates, Co-Supervising Sound Editor • Jonathan Wales, Co-Supervising Sound Editor • Kristen Hirlinger, Dialogue Editor • Jason Dotts, Dialogue / ADR Editor • Michael Baird, Dialogue / ADR Editor • Paul Knox, Sound Effects Editor • Russell Topal, Sound Effects Editor • James Miller, Sound Effects Editor • Matthew Thomas Hall, Sound Effects Editor • Mark Coffey, Sound Effects Editor • Amy Barber, Foley Editor • Julia Huberman, Foley Editor • Brett “Snacky” Pierce, Music Editor • Ben Parker, Foley Artist • Jonathan Bruce, Foley Artist

Behind the sound of Midnight Mass:

Nominees for Sound Editing: Bonnie Wild, Co-Supervising Sound Editor • Mac Smith, Co-Supervising Sound Editor • Kimberly Patrick, Sound Editor • Vanessa Lapato, Sound Editor • Matt Hartman, Sound Editor • Teresa Eckton, Sound Editor • Tim Farrell, Sound Editor • Leo Marcil, Sound Editor • Joel Raabe, Sound Editor • Ian Chase, Sound Editor • Anele Onyekwere, Music Editor • Stephanie Lowry, Music Editor • Carl Sealove, Music Editor • Dan O’Connell, Foley Artist • John Cucci, MPSE, Foley Artist

NOMINATED:
Outstanding Sound Mixing For A Limited Or Anthology Series Or Movie

Nominees for Sound Mixing: Bonnie Wild, Re-Recording Mixer • Scott R. Lewis, Re-Recording Mixer • Tamás Csaba, Production Mixer • Scott Michael Smith, Score Mixer

Behind the sound of Moon Knight:

Nominees for Sound Editing: Martin Kwok, Supervising Sound Editor / Dialogue Editor • Emile De La Rey, Sound Editor • Matt Stutter, Sound Editor • Michael Donaldson, Foley Editor • Stephen Gallagher, Music Editor • Tane Upjohn-Beatson, Music Editor • Simon Riley, Foley Artist

NOMINATED:
Outstanding Sound Mixing For A Nonfiction Or Reality Program (Single or Multi-Camera)

Nominees for Sound Mixing: Michael Hedges, Re-Recording Mixer • Brent Burge, Re-Recording Mixer • Alexis Feodoroff, Re-Recording Mixer • Giles Martin, Music Mixer

Behind the sound of The Beatles: Get Back:

Nominees for Sound Mixing: Nicholas Renbeck, Re-Recording Mixer • Andy Kris, Re-Recording Mixer • Ken Ishii, Production Mixer

Behind the sound of Succession:

Nominees for Sound Mixing: Nick Offord, Re-Recording Mixer • Ryan Collins, Re-Recording Mixer • Juan Cisneros, Production Mixer

Behind the sound of Pam & Tommy:

The Sound of ‘Pam & Tommy’

Nominees for Sound Mixing: Lindsey Alvarez, Re-Recording Mixer • Mathew Waters, CAS, Re-Recording Mixer • Joseph White Jr., Production Mixer

Behind the sound of Only Murders In The Building:

The Sound of ‘Only Murders In The Building’

‘Only Murders in the Building’ sound editor Mathew Waters: Dialogue-free ep. ‘like composing music’