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Home Sound Effects

Sound Effects

  • An abundant collection of handcrafted effects geared toward menus, selection screens, options pages, clickable/touchable events, and interactive modalities.

  • Aphelion brings you a slew of powerful cinematic sound effects, suited for trailers, videos, film, music and games. The library comes jam-packed with 760 24 bit, 96kHz sound effects in total, processed and designed for maximum impact.

    We've got a long history doing factory sounds for world-leading synth and virtual instrument developers across the globe, but this is our debut release under our own name – hope you enjoy it!

    New version 1.5:

    This is an updated version of Aphelion which features 842 samples, 334 loops at 110 BPM, 468 Kontakt Presets and 94 Kontakt Multi-sounds, an optional, brand-new Kontakt GUI, additional Pulses, Drones, Ambient soundscapes and more

  • Environments & Ambiences The Rustle Play Track 58+ sounds included, 165 mins total $59

    The Rustle is a sound effects library with recordings of grass, leaves, scrubs, branches, rods, twigs & trees rustling in the wind.

    It gets you a versatile collection of high-quality recordings of natural sounding ambience and foley sweeteners – and includes sounds from sources such as small leaves, large leaves, grass rustling, scrubs, small and large hedge leaves, bamboo leaves, thick leaves, dangling bamboo rods, bamboo fields, maple tree branches, dry field grass, trees – and more!

  • Wood Sound Effects WoodWork Play Track 350+ sounds included $36

    WoodWork is a collection of wooden sound effects, and gets you the sounds of sawing and planing, wood chopping with an axe, sanding, and sounds from a wooden vise.

  • Need high-impact car crash sounds – captured from both the inside and outside of a car? While there are no sounds of actual monsters attacking a car, there's certainly a lot of of recordings of sound-guys jumping on car roofs, beating car doors, smashing windshields and destroying paint jobs, with a big axe, and a crowbar.

    Low sense DPA 4061 microphones were placed inside a car, and different actions were performed on it, like hitting, dragging, jumping, stepping and other improvising actions.

    Microphones were also placed inside and outside the car, and windshields were smashed, with crowbars. These recordings covered the massive impacts as well as the small detailed glass pieces falling inside the car.

  • Hum, Buzz & Glitch Sound Effects Phono Play Track 108 sounds included $10

    Looking for vinyl noises, crackles, pops and buzzes? PHONO is a set of textures lovingly recorded from the blank spots of old and new vinyl records.

    Comprised of various loops pops and decays, this collection spans the range of what a needle on an empty track can sound like.

    108 flavors of rhythmic noise, crackles, hiss, pops, buzzes, bumps and air – packaged, looped, and ready to go. Great straight or with fx.

    Note: Can be used without Kontakt too!
    All Kontakt instrument libraries include fully unlocked and accessible metadata tagged .wav files. You don't need any version of Kontakt to use these files as a standalone sample library.

  • Environments & Ambiences Auto Workshop Play Track 72+ sounds included, 83 mins total $35

    Want the sounds of a garage / auto repair workshop? The Auto Workshop SFX library features lots of different tool sounds and general ambiences from automotive workshops (originally recorded for scenes in the Bulgarian feature Godless).

    The idea was to capture the sounds at both closeup and off-mic, to be able to fade easily between them. A mono microphone was placed close to the source, and a set of stereo microphones was set up further away, capturing more of the room and echo. The result is very usable, and the ability to fade between closeup and wide shot works very well.

  • In High Desert Ambiences 1: Miniature, get a mini-nature collection of desolately beautiful sounds of the American southwest as the sun brings to life the songs of desert wildlife. This collection features sounds that will make you fall in love with the desert with the trickling of distant rivers, smooth cricket chirps, echoey caws from ravens so close you can hear the details in their wings flaps, snorts from a cautious yet curious mule deer, choruses of birds at dawn, and much more. Most recordings are well over 4 minutes, with one half-hour night-time track that will make you want to take out your tent immediately. For a mini-nature collection of lush, peaceful nature sounds from the heart of the American Southwest, here’s High Desert Ambiences 1: Miniature.

    2% for the Planet:
    Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!

    KEY FEATURES:

    • Sounds in this library are NOT included in High Desert Ambiences 2 and 3.
    • This library contains a small selection of both “active” and “quiet” nature sounds from the high deserts of West Texas.
    • If you need more “active” or “quiet” nature sounds check out: High Desert Ambiences 2: Active Nature or High Desert Ambiences 3: Quiet Nature.
    • Featured on Designing Sound: “Our Favorite Sounds of 2016
    • Desert dawn and evening choruses
    • Distant flowing river, songbirds, and insects
    • Ravens soaring and squawking in a stark and resonant valley
    • Lengthy night-time cricket chorus
    • Partially audible and ultrasonic bat clicks up to 70kHz
    • Ghostly distant animal calls
    • Mule deer warning snorts and jumping movement
    • Files ranging from 31 seconds to 30 minutes
    • Rio Grande dawn chorus along the Texas/Mexico river border
    • Locations: Near Marfa, Texas (in a mountain valley at an altitude of 6,000 ft) and Big Bend National Park along the Rio Grande River, Texas/Mexico border.
    • These desert ambiences are extremely quiet, so I have included descriptive markers to signal interesting events in an otherwise featureless waveform. These markers can be read in programs such as RX, Reaper, and Soundminer. The markers are also included as .txt files in the sound files folder.
    ambiences_markers

    GEAR USED:
    • Sennheiser MKH 50/30 MS pair
    • Mid/Side recordings decoded to LR stereo
    • Sound Devices 702
    • Rycote AG MS Blimp
    ***Note – the name of this library was changed from High Desert Ambiences 1 to High Desert Ambiences 1: Miniature on 11/28/17. This was a name change only. No audio files were updated.
  • Sunny Florida brings over 100 million tourists each year – and you can now get the soundscapes from: Cocoa Beach, Florida Keys (Big Pine Key, Key Marathon, Key West), Fort Pierce, Kissimmee, Miami, Fort Lauderdale, Orlando and West Palm Beach.

    Listen to screams and excitement in Orlando’s famous theme parks, traffic noise on American highways, nightlife buzz in Miami, relaxing ocean waves on Haulover Beach and peacefulness of luxurious West Palm Beach area.

    Recorded in 192kHz/24-bit format, all sounds are fully described and include a photography. A 24 bit / 48 kHz version is also included.

  • Whoosh Sound Effects Tubular Play Track 365 sounds included, 62 mins total $28

    This library is the result of tinkering with shotgun mics recording inside of different tube structures. When our initial tests produced a wide range of sonic colors, we went all in.

    The tubes used include organic and man-made materials, some rigid, some flexible, some dense, some light, all with varying lengths, diameters, and thicknesses. They consist of bamboo, PVC, 2 variations of vinyl, thin plastic, copper, tin, rubber, dense foam, and a steel-coiled membrane. Each material has a different effect on the sounds passing through them. We generated turbulent drones, thick strikes, resonant scrapes, noisy bells, delicate debris, and more. The overarching characteristics are soft, insulated, and misty. Due to the behavior of the waves in the open tubes and the pickup pattern of the shotgun mics, there is a natural frequency modulation that gives the sound a slightly narrowed, hollow timbre. They work very well in simulated settings, enclosed spaces, and when there is a need to exaggerate the magnitude of tiny worlds. But they are equally as useful as raw design fodder, especially when a unique texture is needed.

    This is our first library created solely for the sake of experimentation, though based on the results, it may not be the last!

  • • In Northern Rockies: Common Loons, get a collection of the strange and mythical calls of Common Loons. These beautiful birds have haunting calls that sing across the boreal lakes of North America. One of the greatest pleasures I’ve had as a field recordist was hearing their majestic wails echo across still waters. This library includes sounds of a nesting pair captured during a full week of nighttime and dawn recording in Glacier National Park, Montana.

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
    • Carbon offset credits were purchased for the Northern Rockies Series. Field Recording travel for this library was carbon neutral!

    KEY FEATURES:
    • Nesting pair of Common Loons recorded in Glacier National Park, Montana
    • 22 clips including Loons
    • Close, medium, and distant perspectives
    • Isolated solo nighttime calls
    • Loons mixed with full dawn choruses
    • Included Loon calls: wail, yodel, tremolo, hoots, flapping takeoffs, and tremolo call flybys
    • 4 clips of Quiet Nature recordings from the same location. These recordings have sparse wildlife and are perfect for use as nature roomtones for the Loons included in the library.
    • Ruffed Grouse “Drumming” can be heard in several recordings in this library as distant bass thumps. Read more about how males create this sound by beating their wings while sitting on hollow logs – here.
    • Other included wildlife: Swainson’s ThrushesWilson’s SnipesRed-winged BlackbirdsRuby-crowned Kinglets, Beaver tail slaps, angry Chipmunks, and bats up to 90 kHz.
    • All tracks have an integrated loudness of approximately -35 LUFS.
    • This is NOT a parabolic dish library of close up and isolated Loons. It is an ambience library of Common Loons within their natural habitat.
    • *Note – I self-identified all birds using several iOS apps and bird identification websites, so I cannot guarantee 100% accuracy in species identification.

    TEXT MARKERS:

    • Named markers are included in each file to help find interesting events in an otherwise uniform waveform. Starting in Soundminer 4.5Pro_v271 you can now read text markers from within Soundminer!
    • Marker text included in the Soundminer description and BWAV description fields.


    GEAR USED:
    • Sennheiser MKH 8040 Matched Pair in ORTF
    • Sound Devices 702
    • Rycote ORTF Blimp

    FILE LIST: 
    • View in Browser or Download CSV

  • Wind, birds, the occasional chattering squirrel and more. A focus on daytime, with some sections covering the entire progression of first light through late morning in ever louder bird sounds. A variety of thrushes, jays, woodpeckers, etc in isolated clips and long ambiances of minutes or more.

  • The journey continues. This time we focused our attention on resonant chambers, unusual small-spaces, rooms and corridors (spiced with unique tonal character). These impulse responses will put your instruments in tight-spaces that are unreachable in the real world.

    Including organic, futuristic environments and psychedelic chambers, all surprisingly fitting in a natural way. Just for this project, we pushed granular synthesis to the limits, mixing it with great sounding analog gear and a handful of our special algorithms, to make sure we delivered the most versatile and dynamics-rich product. Everything is ready for professional use, right out of the box; thanks to the precisely controlled tonality of the IRs.

    You won’t find anything like this in any other place, and we are fully proud of it. Just try it.

    Details:

    • 64 impulse response samples
    • 48khz / 24bit wav files
    • Compatible with any convolution-reverb software
    • WAV + ReFill version (for Propellerhead Reason 8.3+ with 64 Combinator & RV7000mk2 patches)
  • The Seagulls sfx library includes 28 tracks of both single, isolated seagull screams, and bigger flocks of nesting seagulls, calling out to each other and their chicks. There are plenty of classic call sounds, but also some weird throaty and raspy screaming, and what could sound like seagull laughing sounds.

    All tracks are recorded with the very useful zoom function of the Telinga microphone and dish.
    Library includes both untreated tracks, and noise reduction processed tracks in two separate folders. Noise reduction processed tracks have carefully been cleaned up with a CEDAR NR system.

    Though these birds are in an abundance around most harbours and industry around here, they are not always easy to record. You mostly hear them from a distance, or from places not easy to access. When you try to get close to them, they will usually fly away.

    Many hours have been spent on rooftops, gardens, backyards, a junkyard, and different harbours to get this material.

  • • In Pacific Northwest: Storm Waves, get an expansive collection of storm waves from Rialto Beach, a driftwood filled shoreline of Olympic National Park. Hear massive 25 ft swells breaking and sea foam froth sloshing on rounded pebbles. Hear violent slurping as water is sucked out after each massive wave. Hear wave resonance tuned to perfection by driftwood logs a millennium old. Hear distant storm buoys droning their ominous warning and bats circling with ultrasonic clicks. Hear a coastline gradually eroded by Pacific waves. A place where massive spruce stumps are still rooted in the beach, desperately holding to the earth as the soil is stripped from their roots. Press a contact mic to one of those stumps and hear the heartbeat of the oceanThe vibrations from crashing waves move through rocks and roots to create stunning resonances in the wood!  I hope this library gives you a chance to hear the ocean in a way you haven’t heard it before. Enjoy listening to a large collection of storm waves from one of the most iconic beaches in North America.

    2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
    • Carbon offset credits were purchased for the Pacific Northwest Series. Field Recording travel for these libraries was carbon neutral!

    KEY FEATURES:
    • Massive 25 ft swells
    • Rocky coastlines and pebble-filled beaches
    • Driftwood resonances
    • Contact microphones on dead spruce stumps rooted in the beach
    • Frothy impacts
    • Roaring bass
    • Storm buoys droning their ominous warning
    • A thirty-minute clip of the slowly approaching tide. This clip is broken into three, ten-minute clips with no fade ins/outs so it can be used in parts or as one long seamless clip!

    TEXT MARKERS:
    • Named markers are included in each file to help find interesting events in an otherwise uniform waveform!
    • Marker text included in the Soundminer description and BWAV description fields.

    FILE LIST:
    • File List: View in Browser or Download CSV 
    BLOG POST:
    • Read the full story on the A Sound Effect Blog – Sounds from the Quietest Place in the Continental US 

    MORE INFO:
    • Read 30+ user reviews for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files. 

    GEAR USED:
    • Sennheiser MKH 8040 Matched Pair in ORTF
    • Aquarian Audio H2a-XLR hydrophone (used as contact mic)
    • Sound Devices 702
    • Rycote ORTF Blimp

  • Environments & Ambiences Wind Harp Play Track 41+ sounds included, 154 mins total $85

    • In Wind Harp, get an expansive collection of musical winds from the mountains of the American Southwest. Hear singing wires brought to life by 30 mph gusts and desert winds meshing perfectly with musical drones. Hear blustery blasts whipping through mountain valleys and scrappy desert foliage rustling frantically. Hear dancing grasses strike fretboard strings, pinging rich melodies with each swaying stalk. 
    • To record this library an acoustic guitar was transformed into an aeolian harp. I hope this library gives you a chance to hear the wind in a way you haven’t heard it before. Enjoy listening to the natural music of the wind as it sings on long thin wires

    2% FOR THE ENVIRONMENT:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!

    KEY FEATURES:
    •100% bird free
    •Created using an acoustic guitar in open A (E-A-C♯-E-A-E) and open D (D-A-D-F♯-A-D) tunings.
    •Don’t worry about the wind drones clashing with the music in your project. The notes are listed in the filenames for easy pitch shifting!
    •Open guitar tunings allow the strings to resonant freely in the wind as beautiful chords
    •Strong 20-40 mph winds
    •Rich overtone filled wind drones
    •Dead winter grass
    •Coniferous and deciduous wind from desert foliage
    •A violin bow was used to bow the strings in a few clips.
    MICROPHONE TECHNIQUE:
    •All recordings were made outdoors.
    •A Sennheiser MKH 50 and 30 in Mid/Side were using for most recordings
    •DPA 4060s were used under the strings of the guitar to capture more overtones. In a few cases, I combined a DPA 4060 and Sennheiser MKH 30 and matrixed it as mid/side for a unique perspective.
    •Bowed guitar clips were recorded in ORTF.
    TEXT MARKERS:
    •Named markers are included in each file to help find interesting events in files with multiple variations.
    •Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.
    FILE LIST & METADATA:
    View larger version or Download CSV
    BLOG POST:
    •Read behind the scenes stories from this field recording trip in my blog post: The Natural Music of the Wind

    MORE INFO:
    • Read 30+ user reviews for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files. 
    GEAR USED:
    •Sennheiser MKH 50 and 30 in Mid/Side
    •DPA 4060 and MKH 30 in Mid/Side
    •DPA 4060s in AB
    •Sennheiser MKH 8040 Matched Pair in ORTF
    •Sound Devices 702
    •Rycote MS Blimp
    •Rycote ORTF Blimp
  • Looking for electric car sounds? This library delivers 211 files / 162 minutes of stereo recordings of the BMW i3 electric vehicle.

    The BMW i3 is a B-class, high-roof hatchback manufactured and marketed by BMW with an electric powertrain using rear wheel drive via a single-speed transmission. Its underfloor Li-ion battery pack is offered in two capacities as well as with an optional range-extending gasoline engine. The i3 was BMW’s first mass-produced zero emissions vehicle and was launched as part of BMW’s electric vehicle sub-brand, BMW i.

    As of December 2016, the i3 ranked as the world’s third best selling all-electric car in history with more than 65,000 units sold since its inception.

    This very quiet car has been recorded using onboard DPA-4060 microphones, to capture the engine and tyre sounds. The different surfaces are gravel, asphalt and rumble strips on the highway. The interior sounds have been recorded using the Zoom H5 XY microphone. There are also contact mic recordings of the wheel housing using Schaller mics.

    Passby sounds have been recorded using Line Audio CM3’s in an XY setup as well as the Zoom H5 XY microphone. There are passes on dry and wet asphalt as well as gravel at different speeds.

    Finally the engine has been recorded using the Elektrosluch electromagnetic microphone, resulting in 33 minutes of electromagnetic madness in 96 kHz.

    I sincerely hope you will find this sound archive useful!

    Best,

    Morten

  • This is a unique bicycle library that captures this characteristic bike in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.

    The RacerBike is that kind of bicyle the snobby double shot cortado drinker nochalantly parks in the window at his favorite barista. This vintage Koga Miyata is  maintained very well, with fresh lubricants and perfectly lined up gears it’s a smooth racing devil that you pay nicely for second hand (we can tell, we are the coffee snobs).

    Speeds and actions:
    Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.

    Five perspectives:
    1. Onboard Front: captures the whirring tire and surface sound.
    2. Onboard Pedal: nice overall combination of pedaling, crank creaks, chain rattle, tire and surface sounds.
    3. Onboard Rear: close up sound of the rear axle, with chain, sprocket and switching of gear.
    4. Tracking shot: mono recording of the passby, keeping the bike in focus while passing by.
    5. Static XY shot: stereo recording of the passby that emphasizes speed.

    Overview of perspectives and mic placement:

    Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
    All 3 onboard mics are edited in sync with one another to make layering easy.
    All Passbys, Arrivals and Departures move from Left to Right.

    Metadata & Markers:
    Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window.

    However, we are aware that some people have different needs for different purposes, so we’ve created a Metadata Reference Guide that explains the structure. And because we’ve automated the metadata proces, you can be confident that a ‘find & replace’ command will always replace all instances.

    Download our Metadata Reference Guide

    Download complete metadata PDF

    If you have any questions about this, contact us!

    Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer or other database apps.

    Need more?
    The RacerBike library is part of the complete ‘City Bicycles’ library package available at www.frickandtraa.com. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off  bicycle passes captured in the city and bounces and rattles. The extra bicycles surfaces and additional effects are also available seperately here on ‘a Sound Effect’. If you’ve bought a single library and want to upgrade to the full package, contact us for a reduced price on the complete City Bicycles library. Every part of City Bicycles that you paid for will get you an extra reduction on the full package.

    'City Bicycles'  Sound Library by Frick & Traa

    Responses:

    344 AUDIO:City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..

    The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.

    Watch a video created by Zdravko Djordjevic.

    City Bicycles sound examples

     

  • Nature & Countryside Ambiences Wetlands Play Track 11+ sounds included, 41 mins total $15

    Dakota Wetlands by Badlands Sound features 11 three to four minute seamless loopable ambiences making these a breeze to work with. Recorded over the span of a couple months this collection of ambiences were recorded in 96k 24bit with the Sound Devices 702t and a pair of Sennheiser MKH 8040's.

    In the Audio Demo for this product you will be able to hear all the sounds that are in this library. If you are looking for marsh, prairie sounds next to a lake, or specifically wetlands for a great price this library is for you.

  • Environments & Ambiences Command Center I Play Track 43 sounds included, 28 mins total $24.95

    Orbital Emitter is proud to present Command Center I – a comprehensive sci-fi sound-set providing a rich arsenal of futuristic sounds for you to quickly build believable sci-fi atmospheres for all of your sci-fi projects!
    Inside you will find nuanced environments, futuristic instrument displays, multiple alerts and imaginative lo-fi system sounds. And like the rest of our growing library, this environment sound-set can be customized to your liking allowing multiple possibilities -all from this one sound-set!

    Our sound-sets are made up of two main folders labeled as Audio-Scenes and Audio-Stems. The Command Center I Audio-Scenes consist of five long playing scenes representing this star-cruiser command center in various modes of operation; -From busy to calm to high alert and more! Think of these audio-scenes like we dropped microphones into a futuristic space cruiser command center and have captured all of its sounds in real-time!

    Our Audio-Stems folder contains the curated sound elements used in creating the audio-scenes. This is where you will find isolated sound elements like tactical scans, lost communications, sweeping sensors, enemy alerts, interface sounds, probe telemetries, stellar mapping, systems under incredible stress and interface sounds and much much more!
    If we break down the audio-stems into sound types, they would be as follows:

    • 3 background atmospheres or rumbles
    • 19 systems sounds
    • 9 tactical sounds
    • 11 interface sounds

    Also included with our audio-stems are less glamorous necessities like room tones and back-wall system sounds to give your futuristic environments the nuance they deserve. This sound-set is delivered industry ready at 24 bit/48kHz WAV and each sound file contains simple meta-data to make our sound files easy to organize & find. All of our sounds are 100% original, 100% royalty free,  created in our sound-labs and designed to boldly explore the universe of sci-fi sound!

    Thank you for reading! Watch for more from Orbital Emitter coming soon!

  • 1,500 Monster & Creature sounds!

    We’re proud to announce our newest sound library: Monster Within! Clocking in at 1,500 files, we’ve not only included 18 different creatures, monsters, and aliens, but also 25 categories for them! Everything from Attacks, Roars, Giant Footsteps, to detailed foley, vocals and flesh ripping. We think this is a must have Monster and Creature library to add to your collection.


    WHAT’S INSIDE

    Monster Within is massive. Just look at the list below or download the PDF excel sheet to get an idea of all that you get. Monster Within features more than 1,500 files, 2GB GB of 24bit/96khz .WAV files, all meticulously embedded with Soundminer and Basehead metadata. Monster Within was created by Rick Hernandez, a Los Angeles based professional sound designer. Rick is an accomplished AAA video game sound designer and field recordist. He also works on feature films & television. Learn more about Rick and his company Melee Sound Design.

    Monster Within includes the following:

    – 18 different creatures and monsters
    – Attacks
    – Body Movements
    – Breathing
    – Charges
    – Damage
    – Death
    – Enter
    – Exit
    – Foley
    – Footsteps
    – Footsteps Giant
    – Grunts
    – Hits
    – Idles
    – Impacts
    – Jumps
    – Melee
    – Pain
    – Reactions
    – Screams – Roars
    – Spawns
    – Special Effects
    – Swings / Swipes
    – Taunts
    – Vocals

  • Conspiracy Theory contains a wide selection of dynamic and varied sound effects that are inspired by the sonic trends found in contemporary documentaries on streaming services. These sounds include low booms, rhythmic ticks, radio voices, singing, pads, stabs, whistles, rumble whooshes, and production elements. They were crafted from both organic and digital sources to provide maximum versatility and variation. Our award-winning Sound Designers recorded and edited the sounds from string instruments, ethnic winds, percussion, digital/analogue synthesizers, and male vocalists. 

    This library is your one-stop solution to sound/musical effects for modern documentaries and films that have a twist or tension. All effects were recorded in 24Bit 96kHz, allowing for further sonic manipulation. Perfect for Sound Designers and Composers, ideal for use in Film, TV and Game projects, and will make a perfect addition to your sound design arsenal.

    We looked at several documentaries as a reference for this library. These include The Last Dance, Cowspiracy, Inside Job, and Making a Murderer.

    Here are the included folders:

    Low Booms: Heavy and guttural, these booms will accent your most mysterious moments.

    Pads: A range of feels and moods built into construction kits, that complement other music or work perfectly in isolation.

    Production Elements: Glitchy digital effects that transition and enhance opening title sequences.

    Rumble Whooshes: A set of rumble whooshes, perfect for transitioning out of different scenes/moments.

    Stabs: Highlight your most shocking moments with organic and atonal instruments.

    Ticks: Add tension and pace to your title sequence with a tick and a tock.

    Whistles: Ethnic winds designed into unnerving and dynamic effects to fill background gaps under dialogue.

    Singing Voices: Ethnic and exotic vocals add mystery to ancient history subjects, or alien landings.

    Radio Voices: A suite of ‘sound-alike’ speeches/excerpts from tragic/mysterious events, processed to sound like authentic archive material.

  • Featuring 38 pristine nature recordings from remote locations across the U.S., Biophony delivers a diverse collection of ambient environmental sounds. Delivered in 24-bit/96kHz FuMa Ambisonics format as well as stereo, this library contains amphibians, sea animals, insects and other wildlife interacting within distinct biomes. Use these sounds to enliven your nature scenes with a rich, authentic ecological backdrop.

    To capture these sounds, recordist Jason Strawley and videographer Andrew Garraway traveled to four states from Florida to California with the goal of capturing a variety of ecosystems including swamps, ponds, and forests. The result is a dense collection of vibrant wildlife recordings brimming with life. According to Strawley, one of the most difficult aspects of the process was finding locations unaffected by human intervention, be it noise pollution or the overarching effects of climate change. In his own words:

    “Human-made noise pollution foiled many a recording, forcing us to travel to more and more remote locations. We should all be advocating to preserve more wild lands, but it’s not just about the land – we need to preserve the soundscape and darkscape as well. Some national parks are doing a great job with this and I hope we can contribute to awareness in some tiny way.”

    Each sound file is embedded with rich, descriptive metadata to help you find the exact ecosystem and animal recording you need. Biophony is also included in Pro Sound Effects’ CORE: Pro.

    Key Features:

    • 38 sound effects (14.5GB)
      • Delivered in both FuMa Ambisonics and Stereo
    • 24-bit/96kHz broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free

    Credits:

    • Blackguard Stock Media Group
    • Jason Strawley – Recordist / Editor / Producer
    • Andrew Garraway – Producer / Photographer / Videographer
  • Presets Oh La La La Play Track 41 sounds included $16.99

    OH LA LA LA is the new singing presets pack for Xfer Serum.

    All presets are crafted using vocal samples as an oscillator source to achieve presets with a vocal taste.

    This pack is suitable for music composers and producers of various genres (Lo-fi hiphop, trap, future bass, ambient, future soul, electro)

    41 total presets divided into 5 categories:

    • ARPS & PLUCKS (6)
    • BASS (9)
    • CHOPS (16)
    • LEAD (4)
    • PAD (6)

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