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Flesh, Bones & Gore Vol. 3 is the third in our series of unsettling gore sound effects. This collection focuses on the slurps and growls of a creature eating flesh. General bone cracks and flesh rips have also been included to induce maximum cringe in your audiences.
Our Audio Craftsmen channelled their inner monster while tearing into various fruit and vegetables. The result is a grotesque collection of sounds ideal for unsettling viewers and users in your horror Game, TV & Film productions.
All sounds have been kept raw and are delivered in 24Bit 192kHz format, so you can drop them as-is into your timeline, or design your own monstrous creations. This library has also been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.
The library contains four folders:
Bone Cracks: Heavy crunches and cracks.
Creature Slurps: Munches, slurps and chews of a creature digging into its prey.
Guts & Blood: Wet crushing of flesh, guts and bones.
Ripping Flesh: Brutal tearing and sawing of flesh.
The Foley Vault is home to an ever-growing collection of original Foley recordings.
Each library was captured by professional Foley Artists on our in-house Foley Stage using a Sennheiser MKH50 microphone.
These sounds were originally performed for a variety of feature and short film projects. They have now been compiled and released for you to edit and implement into your own film, game and television productions.
Orbital Emitter proudly presents CINEMATIC TRANSITIONS FOR EDITORS VOLUME II, a brand new collection of cinematic transition sound effects designed to add dimension and energy to any creative project!
This special collection features 251 dynamic transition sounds across 132 files, crafted in our sound labs and tested in real world productions by editors and sound mixers alike!
This robust sound-set gives creatives a concise assortment of easy to use sounds designed to propel and elevate any creative project they are used in.
When we released our WHOOSHES for EDITORS Vol 1 sound-set in 2022, we had no idea how popular it would be with industry professionals as well as folks new to media creation.
So when we embarked on making a sequel of sorts to that first sound-set, we knew it had to be different. Where volume 1 was a best-of assortment, volume 2 is an expansive toolkit of cinematic sound design for you to explore…
Founder of Orbital Emitter, Charlie Eisenhardt conceptualized CINEMATIC TRANSITIONS VOL II as an inspiring and flexible sound-set with sounds suited for any feature film, television/streaming show, video game, audio drama or virtually any project needing emotive transitional sound! But there are also simple and muted sounds designed to fit conventional projects as well. Have a listen to our demo to hear for yourself!
CINEMATIC TRANSITIONS VOL II contains 11 transition categories within over 132 sound files… These categories include whooshes, swoops, sweeps, swells, pass byes, risers, attackers, cues and 3 separate types of impacts… But there’s more! Most of the sounds in this set feature multiple takes and variants to ensure that our sounds fit any creative workflow!
So whether you’re a beginner or a seasoned professional, we guarantee that you will find our transition sounds to be fun and easy to use in all your creative projects!
Click the list elsewhere on this page to preview the sound titles and descriptions included in this sound-set!
THE BUSINESS…
CINEMATIC TRANSITIONS VOL II delivers in two sample rates for maximum compatibility…
The 48k folder will serve just about any professional NLE editorial workflow for television, gaming, film, or streaming project and the 96k folder is for sound-designers, mixers or anyone who wishes to manipulate sound!
And along with the two audio folders we also include a PDF guide to help you organize our sounds to fit your creative workflow.
Our #1 goal is to provide you with sounds that let you focus on your creative process as quickly as possible. That’s why we test our sounds with other award winning editors & sound mixers to see how they use them, then we present them to you!
We hope this robust sound-set adds impact and energy to all your creative projects!
Thanks for listening!
– The Orbital Emitter Team
Unveil a new dimension in sound design with SoundMorph’s Lock/Load library, an expansive arsenal of over 7,000 sounds housed in a commanding 20GB collection.
Lock/Load elevates the bar with a meticulously captured array of firearms, highlighting not just popular guns but also those unique models that provide fresh and distinctive sonic characteristics. From the tactical crispness of the Romanian AMD-63 assault rifle to the historical resonance of the Winchester Model 1892 lever-action rifle, this collection is crafted to satisfy the most demanding audio professionals.
Key highlights include:
To capture the nuanced details of these firearms, many of the files were recorded using the high-resolution Sanken Co-100k microphone, ensuring a wide frequency range and capturing the most delicate of mechanical sounds that can be pitched up or down severly while still maintaining fidelity.
Gun Mechanics – UK Police Issue contains 254 individual mechanical sounds with several performances for each action.
Guns Included: Glock 17 Pistol, H&K MP5K, H&K G36K, H&K L104A Grenade Launcher, Tikka T3 Hunter Bolt Action Rifle and a Bennelli 12 Gauge Pump Action Shotgun.
Sound of Italy is an Italian sound effects library created for those who need an Italian flavor in their sound productions.
10 categories of typical Italian sound effects are included: Ambiences, Cars, Cooking, Motorcycles, People, Rails, Religious, Sirens, Sports and Various.
More than 2500 sounds recorded 96/48K 24bit, in over 30 gigabytes continuously updating.
Each sound file has been carefully named and tagged for easy search in Soundminer and is Universal Category System (UCS) compliant.
(see the full track list below).
Get the sounds of 12 authentic weapons from both World War 1 and World War 2, captured by recording specialist Watson Wu. A total of 587 files are included – 107 foley sounds and 480 firing sounds.
Enfield • M1 Carbine • M1 Garand • Mauser • Mosin Nagant – long • Mosin Nagant – short
Pistols & revolvers:
British Webley Revolver • Colt 1911 Pistol • German Luger Pistol • Smith & Wesson 1915 Revolver • Smith & Wesson 1917 Revolver • Walther PKK Pistol
All the weapons are authentic, the gunpowder is real and 100s of rounds were sent downrange to get you these powerful weapon sounds from the World Wars.
[Now Updated with Metadata]
Lost Transmissions is a collection of electromagnetic and radio recordings with an emphasis on communications gone wrong. Malfunctioning static, radio recordings, analog hums, designed passbys, & tonal/fluctuating noise. Lost Transmissions is another essential set of utilitarian libraries to add to your tool box. Recorded and designed by Jason Cushing (co-founder of SoundMorph).
Not only that, as a bonus we've also teamed up with and included Echo Collective's kontakt instrument “Squelch” and accompanying sample library, giving you an additional 100+ real radio samples to work with and playable radio instrument.
Brace for impact! Rupture delivers more than 375 impacts and destruction sound effects, categorized and ready for immediate implementation into any game. It's not only for games though, Rupture would be perfectly suited in any film or media project where high quality impacts, breaks, and destruction are needed. You could think of Rupture as the baby brother to our massive destruction library Matter Mayhem, but Rupture comes with all new recordings, new textures, and new objects. For the price, it's a must-have!
Rupture was created in collaboration with Rick Hernandez, a Los Angeles based professional sound designer. Rick is an accomplished AAA video game sound designer and field recordist. He also works on feature films & television.
Brick breaks/ crushes • Car impacts • Concrete impacts • Dirt, dust, debris • Drywall impacts • Glass breaks, shatters, cracking • Ice explosions • Lights shatters • Marble impacts • Metal impacts • Plaster impacts • Rock crumble, roll, impacts • Sand blasts, debris, dust • Snow impacts • Trees hits • Water splashes • Wood crushes, impacts, breaks – all meticulously embedded with Soundminer & Basehead metadata
The top-selling futuristic weapons series returns with Future Weapons 2: An all-new collection of the most cutting-edge weapon sounds made for the future.
We spent months recording and designing all-new sounds to bring you the freshest set we could. Great-sounding guns, blasters, reloads, foley, and much more!
Be sure to also check out the first Future Weapons collection, these two collections are must-haves! Created in collaboration with the Russian sound design team from Principle Sound Design, Future Weapons 2 features more than 500+ sounds and 1.2GB of 24bit/96khz .WAV files, all meticulously embedded with Soundminer and Basehead metadata, including:
Machine Hall delivers all the right sounds for designing sounds for robots, industrial environments and other machines.
This pack was recorded in a car building factory and therefore has a lot of industrial robots, air compressors, small rotors and motors, servos and general heavy industry ambiances. Perfect for creating robots, giant mechanical stuff with loads of moving gears and parts and little tinkering bots. Every machine is counted for, big and small!
Be it steampunk or modern sci-fi, this pack is sure to be a great fit for anything mechanical and robot-y!
All sounds included are meta data tagged(keywords+description) for use in soundminer/basehead etc.
Need footstep sound effects? Get 5 Shoes, 25+ surfaces, 15+ variations – created by Foley Supervisor Joshua Reinhardt and professional Foley walker Lara Dale.
Deep heavy metal, crunchy snow, old boat wood, crisp grass, gritty dirt, clean tile – this library has it all. Not only does this library contain walking but it's got pretty much every performance you can think of, from scuffs to jumps and lands and scrapes. With this library you can cut Foley for pretty much any film or game that comes your way.
Highlights:
• 17 different Performances – From slow walk to RUN, 5 scrapes, bodyfall/land, stomps and more
• Every file is labeled with a description of the shoe, surface and performance type.
• Every folder has a picture of the shoe and surface plus a description of the distance of the mic from the Foley walker.
• Combine wood creak sweeteners with Ultimate Interiors wood for scary creaky wood or add grit to a clean interior to give character.
• Same recording studio mics and preamps used in over 50 major motion pictures
• Same boots that were used for Sylvester Stallone in The Expendable
• Mix and match shoes, surfaces and sweeteners to make your own custom characters
• Can be used as a stereo or separated and mixed/matched as a mono depending which mic works best for your project
Foot wear type:
Boots, Dress Shoes, Flats, Heels, Sneakers.
Performances:
Extremely Slow Walk, Medium Slow Walk, Walk, Jog, Run, Stairs Slow, Stairs Fast, Stomp, Land, Scuff, Scrape 1, Scrape 2, Scrape 3, Scrape 4, Scrape 5.
Surface Types:
Asphalt, Carpet 1, Carpet 2, Concrete, Hardwood, Hardwood house, Hardwood deep, Hardwood parquet, Hardwood boat wood, Hardwood Dock, Lino, Marble, Tile, Dirt, Grass, Metal grate, Diamond plate Metal, Metal Slab, Wood Creak 1 old, Wood Creak 2, Gravel, Rocks, SNOW!!, Puddle, Water shallow, Water Deep.
Inspired by the ASMR (Autonomous Sensory Meridian Response) community, this collection includes 43 mono/stereo pairs of whispers, scratches, taps, rubs, breathing, buzzing, and more. The general goal of ASMR is to induce a bodily response from the auditory stimuli, much like a shiver, chill, or euphoric wave. From an auditory perspective, this is usually approached by using delicate, intimate sounds in a repetitive manner; known as ‘triggers’.
The files are all loopable, averaging ~2’20” in length, so you can leave them on repeat for a continuous ASMR experience. This also allows a sound designer to drop them into any environment where they need an indiscernible loop. The mono+stereo pairing allows for creating the appropriate stereo spread (or eliminating it all together) that a particular event requires. For some of the more common triggers, we provided a few variations.
Definitely intending to be a unique addition to your sonic anthology, this library will provide you with hours of evocative ear candy.
'Jordan' is a unique collection of 32 sounds recorded and produced with high-quality equipment. From the northern part of the country to the Red Sea, this collection includes:
This collection provides authentic and interesting sounds recorded through the western part of the country using DPA, Neumann and Audio technica mics powered by an Aeta Mixy Recorder. All Faunethic tracks include Soundminer metadata tags.
Everyone needs some good whooshing, but sometimes you just want a whoosh that will cut right through the crap. This pack does not contain earth moving cinematic slams, but rather crispy, bright, swishes, swooshes and whooshes designed for television, radio and internet use.
We figured 99 whooshes was a good start to get you out of trouble, and we've provided a wide range of sounds, from nice clean wipes and slides to more complex textural sounds. Each file contains a single whoosh so you can grab the one you like and throw it on your timeline.
All files are 24 bit / 48kHz .wav files and are Sound Miner metadata embedded. Enjoy!
'Wobble' by Badlands Sound includes 30 high-quality unnerving wobbly drone sounds perfect for your projects. Each sound file is two minutes long with high quality 96k 24 bit including metadata.
Shores of Senja is a collection of wave recordings from the second largest island in Norway. We spent three days on Senja and recorded a wide variety of waves on different surfaces. This collection includes small to big waves and surfaces like sandy beaches, pebbles, rocks and cliffsides.
We recorded everything with one cardioid stereo pair and one omni stereo pair for added flexibility and options in the mix. The library features 192kHz/24bit stereo broadcast wave files with embedded metadata, and also includes all files converted to 96kHz/24 bit stereo broadcast wave files with embedded metadata.
Extracted size: 5.27 GB (96kHz files), 10.55 GB (192kHz files)
‘Smooth City Traffic’ by Badlands Sound includes 21 high-quality city traffic ambiences great for your projects. Hear the smooth sounds of traffic rushing through the city. This library was recorded by Sound Devices 702t with a pair of Line Audio CM3’s and a matched pair of Sennheiser MKH 8040’s in 96k / 24bit.
Feel the weight and the whooshing of the various vehicle passbys rushing through the city. You will also notice the unique qualities in each file like a car passing by with a flat tire, semi trucks, sports cars speeding by, as well as aggressive diesel trucks.
This sound library contains a wide variety of creaks, squeaks and squeals. All content was recorded using high-quality, professional equipment, such as Sennheiser MKH-8050, Neumann Kmr81i, Rode NTG3, and Sony PCM-d100.
This unique sound library contains 145 files with over 1300 high-quality sounds from a wide variety of sources, including materials such as glass, rusty ladders, wicker baskets, vintage leather jackets, and large ovens. These sounds can be used for traditional foley, eerie horror, or for any sound design you can imagine. Metadata is provided.
As part of travelling around recording sound, you tend to spend many hours in airports.
This collection of high-quality ambient sounds were recorded in 18 countries.
Expect to hear small, medium and large interior crowds, loudspeaker announcements in all kinds of languages, internal passenger vehicles speeding by, the many beeps and musical tones of airport security clearance, and a whole lot of accents.
Recorded in both domestic and international airports in Colombia, Argentina, Mexico, Ireland, Portugal, New Zealand, Vietnam, Indonesia, Malaysia, Thailand, Cuba, Australia, Montenegro, Russia, Finland, Switzerland, France and Morocco.
All tracks were recorded in high definition by Evan Buist, sound engineer and field recordist (National Geographic, DreamWorks, Paramount Pictures).
• In Great Lakes: Sandhill Cranes, get a collection of ambiences from some of the largest freshwater lakes in the world. Hear the calming openness of still water and the magical echoes of regal waterbirds. Hear the startled alarm cries of Ospreys and the prehistoric calls of Sandhill Cranes so visceral you’ll think pterodactyls are still alive.
• This library offers you an extensive collection of Sandhill Crane ambiences from the pristine lakes of the Upper Peninsula of Michigan. Hear these majestic birds and feel the power of their intense calls as they sing across the Great Lakes of North America.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
POS FUJI Cam Edition is a collection of 346 carefully recorded and mastered camera sound effects.
Shutter sounds, rotary dials, buttons, aperture ring, handling, powering on and off, inserting battery, SD cards and more!
Collection was recorded using two tope tier Sennheiser microphones: Sennheiser MKH8040 for a closer perspective and MKH8060 shotgun mic for slightly further one.
All SFX have baked-in Soundminer’s meta data.
RECORDED WITH: Sound Devices MixPre 6 + Sennheiser MKH 8040 and Sennheiser MKH 8060
EDITED AND MASTERED WITH: Pro Tools, iZotope RX (mildly).
Bluezone presents ‘Alien Spacecraft Sound Effects’, a new sample library offering a wide range of inspirational spaceship sfx. Backed with complex and varied sounds, this sci-fi sample library brings you production-ready elements as: alarms, alien synthetic textures, exterior and organic interior background sounds, reactor rumbles, explosions, futuristic interface and beep sounds, spacecraft passby, machine room ambiences and more.
Every sound in this cutting edge collection will stimulate your creativity: All these samples were created from hardware synthesizers and field recordings, and have then been twisted to add an inspiring alternate-reality sonic character. WAV files are provided as 24 Bit / 96 kHz and sorted in 11 folders. In order to give you ready-to-use sounds for your productions, all samples are royalty-free for all your commercial projects.
All sounds have been created, programmed and optimized for use in TV, film, trailer and game music. I give this pack a thumbs-up because the recording quality is high. Not only that it features some creative sounds, but the usability of this pack will find its way to plenty of producers.”
British Soldier Voices contains 800+ soldier vocalisations including orders, commands, shouts, grunts and more performed at different intensities. All recorded up close and personal for use in video games, film and other media content. Recorded in 24Bit 96kHz, allowing for further sonic manipulation.
Phrases include genuine language used by SAS, Army, Royal Navy and Paratroopers as well as exaggerated script elements. We consulted real British Armed Forces Personnel to ensure that our scripts were accurate and performed correctly by our voice talent. Both modern phrases and historical phrases are included, extending the libraries use beyond modern warzones.
Whether you are making a FPS game featuring the SAS, a film featuring the armed forces or need voice effects for training purposes, this library covers both real life commands as well as phrases included for dramatic effect. All lines are included clean along with a processed version to add quick army radio comms to any project, perfect for video game implementation!
If you think your sound collection is in need of some reinforcements then this is the library for you!
Here are the included folders:
Whispering: Perfect for stealth mission and special forces operations, using the element of surprise.
Talking: Soldiers speaking at normal levels, perfect for instructing commands or for training exercises.
Shouting: Perfect intonation for heavy battle in close proximity with the enemy, lock and load!
Grunts: A collection of grunts and efforts perfect for close-quarters combat or when a soldier is hit.
Please note: The demo track contains third party sound effects and music, but all of the voice sound effects are included in this library.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.